Leslie A. Lindsay

author interview

November 8, 2021

MEMOIR MONDAY: Michelle Oranage’s PURE FLAME is less of a legacy, and more of a heritage, about mothers & daughters, a reckoning with matralineal ties
November 1, 2021

An exploration of the memoir that was the catalyst to Donald Antrim’s ONE FRIDAY IN APRIL, a writing workshop, prompt, exercise and more.
October 25, 2021

Memoir Monday: Donald Antrim on his new book, one most difficult to write, ONE FRIDAY IN APRIL, how he views suicide as an illness, not an act, a battle with a long-term disease, how literature often misrepresents what its like to live through suicide, more
October 20, 2021

GHOST WEEK: An Examination of Poetry from Maggie Smith, featuring GOLDENROD, THE WELL SPEAKS ITS OWN POISON, & GOOD BONES
October 15, 2021

WITCHES WEEK: What is the psychogeography of a region? C.J. Cooke talks about this and writing about trauma, the subconscious, motherhood, limpets, carving yourself into a place that ‘fits,’ and more in THE LIGHTHOUSE WITCHES
October 13, 2021

WITCHES WEEK: Ariel Gore’s WE WERE WITCHES, exploring fabulous feminist fiction, poetry, witches, motherhood, and so much more, plus a writing prompt
October 4, 2021

Is a ghost a commitment? What do we inherit? Laraine Herring talks about her new memoir, A CONSTELLATION OF GHOSTS, speculative work, epigenetics, ravens, and more
October 1, 2021

Savannah Johnston talks about how RITES: Stories initially began as a longing for home, but also the realities of life in Oklahoma, being Indigenous, how watching TV helps with ‘episodic’ writing, more
August 25, 2021

Caroline Beecham talks about illegal adoptions during WWII, a distant family secret, a woman pioneer in book editing, and so much more in her American debut of WHEN WE MEET AGAIN
August 18, 2021

Michael Rose talks about his debut, THE SORTING ROOM, about delaying creativity, how business informed his writing life, why he loves historical fiction, modernity, & so much more