All posts tagged: award winner

Colette Sartor talks about her sublime collection of linked stories in ONCE REMOVED, but also how she never intended to write a collection; the grittier side to L.A., a study in storymapping and so much more

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By Leslie Lindsay  Stunning collection of interlinked stories featuring strong, yet vulnerable women, exploring fears, desires, earned raw emotion, and so much more. ~FICTION FRIDAY|ALWAYS WITH A BOOK~ FLANNERY O’CONNOR AWARD FOR SHORT FICTION I am literally swooning over this collection of interlinked stories by Colette Sartor. ONCE REMOVED: Stories (University of Georgia Press, September 2019) and winner of the Flannery O’Conner Award for Short Fiction, shimmers with radiant, but unsettling characters in authentic situations. It’s mostly about intimacy–and I’m not talking about sex here–it’s the voids and turns of life brimming with emotional complexity. It’s about babies and meals, traditions, and customs. It’s about houses and homes; leaving and going; about love and grief, fierce natures and grudge-holders. It’s about disillusionment and estrangement. The prose is pounding with pulse, and yet, there’s a lyrical restraint here, too. Sartor strips away the facade we fallible humans hide behind, revealing the (sometimes) crumbling foundation. She excavates the fears, desires, secrets in ways that are surprising and while troublesome, are also delightful. The emotion here is raw, but it’s …

Searingly Sharp Novel-in-short-stories about scandal, secrets, relationships, a teen pregnancy, IF THE ICE HAD HELD Wendy J. Fox talks about exposing motivations, artful intimacy, writing contests, more

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By Leslie Lindsay  A web of intersecting lives–often dysfunctional and unusual–told in a hauntingly intimate prose with insight and empathy. ~FICTION FRIDAY|ALWAYS WITH A BOOK~ When this book came to my attention, I knew I had to read it. IF THE ICE HAD HELD (April 2019, winner of the Santa Fe Literary Press Award), is a gorgeously told web of intersecting lives told in a taut, lyrical prose about disillusionments, deceptions, relationships, motherhood, and so much more. Melanie Henderson is a 35-year old professional living and working in Denver. She dabbles in affairs with married men, but still hasn’t learned that the woman who raised her is actually her aunt. But that’s only the tip of the ice berg. Told from seven different POVs over three decades, and thirty-seven chapters, Melanie only receives sixteen of them. So who are these other people and how do they fit into Melanie’s narrative? I really enjoyed this structure, but can see how others might find it frustrating and confusing–there are a good deal of threads to maintain and …