All posts tagged: domestic fiction

Sally Hepworth on her fabulous new THE GOOD SISTER, featuring twin sisters, mental health elements, a baby, and so much more, plus the books she’s raving about.

By Leslie Lindsay  A neuro-atypical librarian decides to have a baby for her (fraternal) twin sister, but the story is so gorgeous, perceptive, and multi-faceted. The Most Anticipated Book of 2021: CNN.com • E!Online • Bustle • Goodreads • PopSugar • SheReads • Parade.com • Bookish ~WRITERS INTERVIEWING WRITERS|ALWAYS WITH A BOOK~ April Spotlight: Siblings I have been a fan of Sally Hepworth’s writing since the beginning, so when I discovered her new book, THE GOOD SISTER (St. Martin’s Press, April 13), I knew I had to get my hands on it–not only does it deal with adult fraternal twin sisters, but it also touches on mental health issues, family dysfunction, and mystery. Rose and Fern Castle are fraternal twins, and as different as night and day. Rose is the ‘responsible one,’ and rounder, called “Rosie Round,” by their mother, a nickname she detests (understandably). Rose marries, is an interior decorator. Fern, tall and willowy, slightly quirky, she hasn’t been formally diagnosed, but is likely on the spectrum, with sensory issues and an almost very literal interpretation of the world. What’s …

The horrific reality of cybercrime, property fraud, and so much more in OUR HOUSE from brilliant UK author Louise Candlish

By Leslie Lindsay  What if you were to come home and find your beloved home was being emptied of all its belongings and new owners were moving in? That’s what OUR HOUSE sets out to discover. Plus, Louise talks about how sometimes our demise is at our own hand, writing herself into ‘knots and tears,’ and being published for the first time in the U.S. I’m a big sucker for books about houses. Seriously, two of my favorite things. So when I stumbled upon OUR HOUSE (Berkley, August 7 2018), I knew I had to read it. I’m new to Louise Candlish, too and her writing is quite beautiful and darkly brilliant, well-plotted, and compelling. Fiona (Fi) and Bram are at the end of their marriage. Bram has been unfaithful one too many times and Fi is done. But what about the kids and their beautiful home in a desirable London suburb? They couldn’t possibly sell it and split the family, send the boys to a different school. So Fi devises a plan to keep the house and the …

WeekEND Reading: How quickly life can spin out of control…Jennifer Kitses talks about this, how she is constantly buying books, her literary inspirations, time loops, and more in this stunning look at 24-hours in a suburban marriage SMALL HOURS

By Leslie Lindsay A tipping point of a novel with tense domestic vignettes leading each character deeper and deeper into destructive behavior.  SMALL HOURS is a slow-burn, ‘tinderbox’ of a debut novel (Matthew Thomas, WE ARE NOT OURSELVES) in which we are just waiting for the inevitable to explode. We follow the lives of a married couple, Tom and Helen for 24-hours. Told in alternating POVs (Helen and Tom), we dive into a myriad of secrets, promises, deadlines, children, neighbors, etc. It’s one small step into the danger zone with each paragraph read, with each flip of the page, each turn of the hour. I kind of wanted to shake these people. Perhaps that is what makes Jennifer Kitses’s debut so palpable. We can *feel* the tensions arising, see the outcome before her characters and we just want to thrust an arm out and say, ‘Stop!’ But the reading is propulsive; I wanted to keep reading. It was like a bad accident on the side of the road: you don’t want to look, but you do. Tom …

Wednesdays with Writers: Can Someone Really Reinvent Oneself? Kate Moretti talks about that; her latest obsession with serial killers, secret passages, being a ‘mix’ of plotter vs. pantser, her newest novel THE VANISHING YEAR & so much more

By Leslie Lindsay  THE VANISHING YEAR (Atria Books, September 2016) is a stunning domestic psych suspense by Kate Moretti, one that delivers a modern, urgent, cutting-edge slightly different than her contemporaries. How is it different? Well, for one it’s a bit rags-to-riches where other, comparative titles are not. Zoe Whitaker is living a charmed life in NYC. She has a ‘golden boy’ wealthy husband, a marble penthouse, all the fancy clothing and jewels a girl could want…but she’s not superficial; her character comes across as very personable, yet flawed–you know the girl has secrets, but what are they? No one knows, but five years ago Zoe’s life was in danger. Back then, Zoe wasn’t Zoe at all. Now her secrets are coming back to haunt her. As the past and present collide, Zoe must decide who she can trust before she—whoever she is—vanishes completely. The beginning pages read beautifully, I was enthralled with the world Zoe resides, her ‘secret,’ and the words Moretti strings together. Join me as I sit down with New York Times …