All posts tagged: Elizabeth Brundage

Elizabeth Brundage discusses her fabulously dark and mysterious new novel, THE VANISHING POINT, how she enjoys investigating conflict from several angles, stylistic choices, existential questions & more

By Leslie Lindsay A spare, unflinching, gorgeously rendered tale of intersections and cross-sections of our lives, the memories, jealousies, secrets, and more. I am swooning over THE VANISHING POINT (Little, Brown May 18 2021) by Elizabeth Brundage. It’s eerie, evocative, entangling and pulls at a knotted thread of mystery. Here it has all of the hallmarks for gorgeous prose: it’s emotionally resonant leaving the reader with residual feelings and thoughts while at the same time generating forward momentum, it’s stunning. Julian Ladd and Rye Adler are photography students–and roommates, briefly—during a time while attending an exclusive workshop, mentored by Brodsky, a photography great. It’s mostly men, but there’s a woman, too, Magda, a Polish immigrant who has spent most of her life in the U.S. Both men are fascinated and captivated by her, but no one can seem to ‘have’ her. Julian and Rye’s lives diverge; they take different paths. Julian becomes ensconced in the pharmaceutical industry and Rye pursues photography. In fact, he’s at the top of his game, snapping photographs of celebrities and the like. But now someone’s …

Writers on Wednesday: How characters are like ‘lost souls’ at the airport, ghosts, old farm houses, and more in Elizabeth Brundage’s ALL THINGS CEASE TO APPEAR

By Leslie Lindsay  ALL THINGS CEASE TO APPEAR is like a slow boil, starting out  with tender delicate prose  and reaching a gritty climax. The story is  harrowing. Spooky, even. The characters are cold and stiff (quite literally, and that’s not just for the ones who are dead). ALL THINGS CEASE TO APPEAR is written almost in a frame style, that is, the book opens with a murder, then becomes filled in with a deliciously creepy and unsettling backstory/character study into the mind of sociopath, finishing off with an end-cap to the murder set in the first few pages. It’s at first blush, a ghost story, but there’s so much more to it, combining dark noir with gothic in a story about two families, one farmhouse, all of whom are wrapped in their own unhappiness, with a ribbon of art history, like a river running through connecting the gruesome unsolved murder. I am super-honored to have Elizabeth Brundage sit down and chat with us about her inspiration, her process, and the book. Please, join us. …