Leslie A. Lindsay
This Is Where We Live: The Story
Essays + Poetry + Interviews
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March 24, 2021
Laird Hunt talks about how ZORRIE was inspired by his grandmother, her ties to Indiana, plus memory, being a literary citizen, the transformative, multifaceted aspects of the color green, more
March 10, 2021
Sylvia True talks about her astonishing novel-based-on-a-true story, WHERE MADNESS LIES, combining elements of historical fiction, medicine, mental illness, motherhood, secrets, more
March 3, 2021
Naima Coster is back with a bold and moving tale of legacy, family, displacement, and rootedness in WHAT’S MINE AND YOURS, plus tips on writing character, developing setting, more
February 22, 2021
Apraxia Monday: TALK YOGA creators Amy Roberts & Kim Hughes, both speech-language pathologists and certified yoga intructors talk about the value of kids, speech, & yoga
February 15, 2021
APRAXIA MONDAY: Dr. T shares her super-fun, hands-on activity kits to supplement her lift-the-flap book, LOLA KOALA’S TRAVEL ADVENTURES
January 20, 2021
NYT bestselling author Bob Kolker talks about his oprah book club pick HIDDEN VALLEY ROAD, the history–and future–of schizophrenia, family trauma, resillience, & so much more
December 2, 2020
MEREDITH HALL talks about her luminescent novel, BENEFICIENCE, about one Maine FARM family’s experience with a terrible loss, the way we absorb grief, and the subconscious way of art + thinking about characters long after
August 26, 2020
Caroline Leavitt will send you a watercolor painting if you buy her new book, WITH OR WITHOUT YOU, how this ties in with the narrative, reinvention, going home, and so much more
August 19, 2020
A mesmerizing tale that reads almost like a lucid dream, Ursula Hegi’s THE PATRON SAINT OF PREGNANT GIRLS is about the cacophony of grief, a freak accident, wanderlust, and so much more; plus an excerpt from her NER essay on craft
August 12, 2020
Julia Heaberlin on how obsessions start early and never leave, the horrific experience of a woman’s found body parts, ‘evil passing through,’ her mother’s box of terrifying nature, reading poetry to unlock flat descriptions, plus prosthetics in WE ARE ALL THE SAME IN THE DARK
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