All posts tagged: fiction

Diane Chamberlain had me gasping aloud in THE LAST HOUSE ON THE STREET, plus her obsessions, civil rights, letting characters lead and the magic of writing

By Leslie Lindsay Two seemingly unconnected stories merge into one very thought-provoking, highly emotional read. ~WRITERS INTERVIEWING WRITERS~ Always with a Book Leslie Lindsay in Conversation with Diane Chamberlain Diane Chamberlain is the New York Times, USA Today and Sunday Times bestselling author of 27 novels published in more than twenty languages. Influenced by her former career as a social worker and psychotherapist, she writes suspenseful stories that touch both heart and mind. One of Marie Claire’s Most Eagerly Anticipated of 2022 January Indie Next Pick I have long been a fan of Diane Chamberlain’s work, but this one really knocks it out of the park. THE LAST HOUSE ON THE STREET (Jan 11 2022, St. Martin’s Press), is completely ‘affecting and spellbinding,’ (Publisher’s Weekly, STARRED REVIEW), and is a PEOPLE magazine ‘pick of the week,’ and is sure to pack a powerful punch for readers and book clubs. I loved it. What Diane does best is mine historical plot points with an emotional heart, and generally it’s something that once touched her own life. In fact, THE LAST …

Ashley Audrian on her debut, THE PUSH–now in paperback–about motherhood, family history, genetics, and more

By Leslie Lindsay  Deliciously dark and juicy psychological drama–a DEBUT–you’ll be talking about long after you turn the last page, the issues and concerns surrounding motherhood, family history, genetics, and more.  NOW IN PAPERBACK! ~WRITERS INTERVIEWING WRITERS~ ALWAYS WITH A BOOK Leslie Lindsay and Ashely Audrain in Conversation NOW IN PAPERBACK! THE PUSH (now in paperback from Pamela Dorman Books/PRH January 4, 2022) is one of those buzzy–OMG–books you’ll devour in one sitting. Is it a conversation-started? You bet. Will have it have you puzzling out your own maternal history–going back generations? Yes, that too. Here, we meet Blythe Connor, a woman whose experience of motherhood is not at all what she imagine. Blythe is determined to be the warm, caring, generous mother she herself never had. Still, she can’t let go of the disturbing, nagging thought that her daughter, Violet is not like other children. Is something ‘off?’ She’s distant, defiant, stubborn, antisocial, angry. Is she dangerous? Is Blythe just exhausted? Is it because Blythe doesn’t have much of a mother figure and her …

Year-End 2021 and What’s Ahead in the New Year

By Leslie Lindsay An end of an era. But all endings are really beginnings, right? Since 2013, I have been remarkably grateful and blessed to have spent so much time connecting with readers on Always with a Book. Each week I have presented very fine authors and titles–from smashing debuts to immediate bestsellers. This has been both a privilege and joy. The website will remain, and you can always go back and re-read any author interview. How do you do this? Simple: Have an author or title in mind? Go to the search field (home page, top right magnifying glass) and type in a few keywords. It will ‘take’ you right to where you want to go! Head over to ‘Featured Authors’ and scroll through all of the…uh, featured authors…and peruse that way. Find an author or a book you really love? Great! I aim to please. You can add it to your Bookshop.org storefront, GoodReads, Instagram, or wherever else you catalogue your virtual reads. If you feel so compelled to read a book because …

NAOMI KRUPITSKY TALKS ABOUT HER RAVISHING INSTANT NYT BESTSELLER, THE FAMILY, WRITING ABOUT GRIEF, FRIENDSHIP AND THE COMING-OF-AGE OF BROOKLYN, MORE

By Leslie Lindsay ~WRITERS INTERVIEWING WRITERS~ Always with a Book Leslie Lindsay in Conversation with Naomi Krupitsky Naomi Krupitsky is an author, editor, and bookseller. THE FAMILY is her instant-New York Times bestselling fiction. The Instant New York Times bestsellerA TODAY Show Read with Jenna Book Club Pick ABOUT THE FAMILY: A captivating debut novel about the tangled fates of two best friends and daughters of the Italian mafia, and a coming-of-age story of twentieth-century Brooklyn itself. Two daughters. Two families. One inescapable fate. Sofia Colicchio is a free spirit, loud and untamed. Antonia Russo is thoughtful, ever observing the world around her. Best friends since birth, they live in the shadow of their fathers’ unspoken community: the Family. Sunday dinners gather them each week to feast, discuss business, and renew the intoxicating bond borne of blood and love. But the disappearance of Antonia’s father drives a whisper-thin wedge between the girls as they grow into women, wives, mothers, and leaders. Their hearts expand in tandem with Red Hook and Brooklyn around them, as they push against …

Violaine Huisman talks about her novel, THE BOOK OF MOTHER, autotheory, structure, legacy; how she is haunted by her late-father’s book collection, and on a personal level: her relationship with her mother is so parallel to my own

By Leslie Lindsay Gorgeous, dark, moving, and resonate work summoning the author’s late mother, her mercurial moods, her madness, and more. ~WRITERS INTERVIEWING WRITERS|ALWAYS WITH A BOOK~ Leslie Lindsay and Violaine Huisman in Conversation Violaine Huisman was born in Paris where she lived for her first twenty years. She runs the Brooklyn Academy of Music’s literary series and has also organized multidisciplinary arts festivals across the city. Originally published by Gallimard under the title Fugitive parce que reine, her debut novel The Book of Mother was awarded multiple literary prizes including the Prix Françoise Saga and the Prix Marie Claire. ABOUT THE BOOK OF MOTHER: This brave, bold, unflinching, and disturbing book is so beautiful it’s maddening, and that’s exactly what THE BOOK OF MOTHER by Violaine Huisman is about: dazzling yet damaged. Originally published in France in 2018, THE BOOK OF MOTHER is technically fiction, but reads like memoir, so autofiction, autobiographical fiction…and it seems that’s exactly how the author describes it, saying in Vogue interview with the translator, Leslie Camhi, (the original published …

GHOST WEEK: Doireann Ní Ghríofa’s A GHOST IN THE THROAT is a tremendously dark and varied and authentically raw exploration of contemporary motherhood married with archaic morals, plus a writing prompt, more

By Leslie Lindsay ~WRITERS INTERVIEWING WRITERS~ GHOST WEEK ALWAYS WITH A BOOK|FICTION FRIDAY Featured Spotlight: A GHOST IN THE THROAT by Doireann Ní Ghríofa Doireann Ní Ghríofa is a poet and essayist. In addition to A Ghost in the Throaf, she is the author of six critically acclaimed books of poetry, each a deepening exploration of birth, death, desire, and domesticity. Awards for her writing include a Lannan Literary Fellowship, the Ostana Prize, a Seamus Heaney Fellowshop, ad the Rooney Prize for Irish Literature. ABOUT A GHOST IN THE THROAT: “When we first met, I was a child, and she had been dead for centuries.” So writes Doireann Ní Ghríofa in A GHOST IN THE THROAT, a “…female text, a chat, a keen, a lament, and an echo,” and I love everything about it. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlin Dubh Ni Chonaill’s poem travels through the centuries, finding its way to a new mother who narrowly avoided her own …

WITCHES WEEK: What is the psychogeography of a region? C.J. Cooke talks about this and writing about trauma, the subconscious, motherhood, limpets, carving yourself into a place that ‘fits,’ and more in THE LIGHTHOUSE WITCHES

By Leslie Lindsay A chilling tale set on a remote Scottish island, THE LIGHTHOUSE WITCHES has suspense, supernatural elements, and historical references for a delicious fall season of reading. ~WRITERS INTERVIEWING WRITERS~ ALWAYS WITH A BOOK|FICTION FRIDAY Leslie Lindsay & C.J. Cooke in conversation CJ Cooke grew up on a council estate in Belfast, Northern Ireland. She started writing at the age of 7 and pestered publishers for years with manuscripts typed on her grandparents’ old Remington typewriter and cover notes written on pages ripped from school notebooks. Her debut, The Guardian Angel’s Journal, was an international bestseller. She has published two poetry collections, a creative anthology (Writing Motherhood) and her sixth novel, The Lighthouse Witches, published October 5 2021 in the U.S. ABOUT THE LIGHTHOUSE WITCHES: A spellbinding read about witches, mother-daughter relationships, folklore, and even the human impact on nature, THE LIGHTHOUSE WITCHES by C.J. Cooke is an exploration of reinvention and what it means to be a family. One of PopSugar’s “10 New Books About Witches Are Utterly Spellbinding” Traversing several time periods …

WITCHES WEEK: Ariel Gore’s WE WERE WITCHES, exploring fabulous feminist fiction, poetry, witches, motherhood, and so much more, plus a writing prompt

By Leslie Lindsay A sublime genre-bending tale of teen mom Ariel Gore caught betwixt the 1990s family values or home and family, along with the hopes of redeeming herself through education, WE WERE WITCHES casts a spell like no other. ~WRITERS INTERVIEWING WRITERS~ WITCHES WEEK ALWAYS WITH A BOOK Featured Spotlight: WE WERE WITCHES by Ariel Gore Ariel Gore is the founding editor & publisher of the Alternative Press Award-winning magazine Hip Mama and the author of ten books of fiction and nonfiction. I was alerted to this book after reading and attending an online class with Laraine Herring. Her book, A CONSTELLATION OF GHOSTS: A Speculative Memoir was featured earlier this month. ABOUT WE WERE WITCHES: We Were Witches is a 2017 novel by Ariel Gore. It is a first-person narrative of a fictionalized version of the author, of her life as a teen mom and budding feminist, from the birth of her daughter when she was 18 years old, to her graduation from Mills College. This book is a little different than most, and perhaps a misnomer. …

Savannah Johnston talks about how RITES: Stories initially began as a longing for home, but also the realities of life in Oklahoma, being Indigenous, how watching TV helps with ‘episodic’ writing, more

By Leslie Lindsay In sparse, biting, yet eloquent and compressed prose, Savannah Johnston reveals the truths, sorrow, and joys of the mundane and extraordinary in this collection of stories featuring Indigenous people of Oklahoma. ~WRITERS INTERVIEWING WRITERS~ ALWAYS WITH A BOOK|FICTION FRIDAY Leslie Lindsay & Savannah Johnston in conversation Savannah Johnston is an enrolled member of the Choctaw Nation of Oklahoma living in NYC. Her work has appeared in Gulf Coast, HTML giant, and Gravel, among others. Rites: Stories is her debut collection of fiction, published by Jaded Ibis, a feminist press committed to sharing literature from voices of people of color, those with disabilities, and culturally marginalized voices. ABOUT RITES: Stories: Each of the stories in RITES presents a rich, complex interior life, encompassing the lives of a man newly released from prison as he attempts to reconnect with his family, a young well-endowed girl who becomes a sex worker, drunken feuds at motels, a son who must bury his father, and more. They are struggling, echoes and penumbras of society, and yet we …

Caroline Beecham talks about illegal adoptions during WWII, a distant family secret, a woman pioneer in book editing, and so much more in her American debut of WHEN WE MEET AGAIN

By Leslie Lindsay Hope, love, loss, and the power of reading, WHEN WE MEET AGAIN (Putnam/Penguin Random House, July 20 2021) is about one woman’s struggle with her career, as well as personal matters, set against the backdrop of WWII England and New York. ~WRITERS INTERVIEWING WRITERS~ ALWAYS WITH A BOOK Leslie Lindsay & Caroline Beecham in conversation WHEN WE MEET AGAIN is Caroline Beecham’s American debut in historical fiction and will most certainly appeal to fans of Fiona Davis meets Christina Baker Kline with a touch of Kristin Hannah’s THE FOUR WINDS. This is an absorbing and emotional story about a mother’s love, but also secrets and redemption. ABOUT WHEN WE MEET AGAIN: London, 1943: The war has taken its toll on the book publishing industry. All the while, Alice Cotton, a young, sharp editor is on the rise. She sees books a way to cope, entertain, and distract–her hope is to get them into as many hands as possible. But she falls pregnant–a surprise–and certainly not in line with being a single, unwed woman of the day. She flees …