All posts tagged: literary fiction

Caroline Beecham talks about illegal adoptions during WWII, a distant family secret, a woman pioneer in book editing, and so much more in her American debut of WHEN WE MEET AGAIN

By Leslie Lindsay Hope, love, loss, and the power of reading, WHEN WE MEET AGAIN (Putnam/Penguin Random House, July 20 2021) is about one woman’s struggle with her career, as well as personal matters, set against the backdrop of WWII England and New York. ~WRITERS INTERVIEWING WRITERS~ ALWAYS WITH A BOOK Leslie Lindsay & Caroline Beecham in conversation WHEN WE MEET AGAIN is Caroline Beecham’s American debut in historical fiction and will most certainly appeal to fans of Fiona Davis meets Christina Baker Kline with a touch of Kristin Hannah’s THE FOUR WINDS. This is an absorbing and emotional story about a mother’s love, but also secrets and redemption. ABOUT WHEN WE MEET AGAIN: London, 1943: The war has taken its toll on the book publishing industry. All the while, Alice Cotton, a young, sharp editor is on the rise. She sees books a way to cope, entertain, and distract–her hope is to get them into as many hands as possible. But she falls pregnant–a surprise–and certainly not in line with being a single, unwed woman of the day. She flees …

Michael Rose talks about his debut, THE SORTING ROOM, about delaying creativity, how business informed his writing life, why he loves historical fiction, modernity, & so much more

By Leslie Lindsay An epic family saga, THE SORTING ROOM is a captivating tale of several women’s struggles, perseverance, and more set in Prohibition/Depression-era NYC. ~WRITERS INTERVIEWING WRITERS~ ALWAYS WITH A BOOK Leslie Lindsay & Michael Rose in conversation After serving in executive positions in global companies, Michael Rose retired from the corporate world. The Sorting Room is his debut fiction. He grew up on a diary farm and now resides in San Francisco. COMING SEPTEMBER 2021 ABOUT THE SORTING ROOM: It’s the beginning of The Great Depression and Eunice Ritter is a living in squalor. She and her brother, Ulrich–Uli–are not exactly close– she’s alone, living on the edges of his world of marbles and friendship. He throws a rock at her, but Eunice may actually be more industrious and skilled than Uli, and even their parents. She’s just ten years old when she gets a job at a local sweat shop–an industrial laundry–a job no one wants. In fact, Eunice was sort of ‘dared’ into the job by adult men who suggested she would become …

Amy Koppelman talks about her very personal book–how the feelings & emotions are psychologically resonate, but the story is fiction, plus Amanda Seyfried starring in A MOUTHFUL OF AIR, postpartum depression, and so much more

By Leslie Lindsay Stunning and elegant portrayal of the rawness of postpartum depression, told in elegant and authentic, sparse prose ~WRITERS INTERVIEWING WRITERS~ ALWAYS WITH A BOOK SOON TO BE A MAJOR MOTION PICTURE STARRING AMANDA SEYFRIED, from Sony Pictures October 2021! Leslie Lindsay & Amy Koppelman in conversation Amy Koppelman is a writer, director, and producer and is a graduate of Columbia’s MFA program. Her writing has appeared in The New York Observer and Lilith. She lives in New York City with her husband and two children, and is the author of the novels, A Mouthful of Air, I Smile Back, and Hesitation Wounds. ABOUT A MOUTHFUL OF AIR: It seems strange to give A MOUTHFUL OF AIR (Two Dollar Radio, August 17 2021) such lavish praise, because the subject matter is really quite dark, but the execution of this near-autofiction is just so gorgeously rendered, I felt truly amazed and almost tremulous in its company. Compared to classic feminist works such as Charlotte Perkins Gilman’s The Yellow Wallpaper and Sylvia Plath’s The Bell Jar, A MOUTHFUL …

Joyce Maynard talks about estrangement, love and loss, how COUNT THE WAYS is personal, but not a ‘thinly veiled memoir,’ and so much more

By Leslie Lindsay WRITERS INTERVIEWING WRITERS|ALWAYS WITH A BOOK Leslie Lindsay & Joyce Maynard in conversation Joyce Maynard is the author of eighteen books, including the New York Times bestselling novel, Labor Day and To Die For (both adapted for film), Under the Influence and the memoirs, At Home in the World and The Best of Us. ABOUT COUNT THE WAYS: After falling in love in the last years of the 1970s, Eleanor and Cam set out to follow their dream to raise three children on a New Hampshire farm, a parcel of land she has purchased with her hard-earned children’s book royalties. Their life is pretty idyllic, if only Cam would step-up and be a bit more of a provider–overall, there’s love and heart and good things happening in this quiet, secluded life of art and merrymaking. But there’s a tragic accident that brings a chasm between Cam and Eleanor, changing the family forever. There’s grief and blame, resentment, and more, but they will manage. But they don’t. Cam has an affair with the babysitter, the marriage …

Wise and emotionally intelligent debut about the sixth-sense between sisters, cycles of violence, mothers & daughters, dissonance about ‘going back’ to childhood, more Hanna Halperin chats about SOMETHING WILD

By Leslie Lindsay A troubling and searing debut from a talented writer about the traumas and darkness of a family, sisterhood, and cycles of violence–in all forms. WRITERS INTERVIEWING WRITERS ALWAYS WITH A BOOK Leslie Lindsay & Hanna Halperin in Conversation A graduate of the MFA program at the University of Wisconsin-Madison. Hanna Halperin‘s stories have been published in the Kenyon Review, n+1, New Ohio Review, Joyland, and others. She has taught fiction workshops at Grub Street in Boston and worked as a domestic violence counselor. About SOMETHING WILD: SOMETHING WILD (Viking, 6/22/21) by Hanna Halperin in one of those family dramas you can’t help but want to look, but dear God, don’t show the whole thing. SOMETHING WILD is visceral and challenging in scope and theme, covering such topics of domestic violence, secrets, jealousy, anger, repulsion, horrifying truths, slippery and elusive adolescent desires, and more. It’s a bit coming-of-age with a present-day story. Told in alternating POVs, adult sisters, Nessa and Tanya leave their respective lives and travel to the Boston suburbs where they are to help their mother, Lorraine, pack up and move …

Laura McHugh is back sharing her sublime & atmospheric new novel, WHAT HAPPENS IN DARKNESS, set in the Missouri Ozarks, traumatic experiences with spiders, sleeping in her car, the claustrophobia of rural towns, and so much more

By Leslie Lindsay Abducted as a teenager, a woman must confront her dark and tangled past as another case closely linked to hers comes to the surface. WRITERS INTERVIEWING WRITERS ALWAYS WITH A BOOK Laura McHugh & Leslie Lindsay in conversation Laura McHugh’s novels are often inspired by true crimes, but at the heart of each story, she writes about families: their secrets, their tragedies, and the powerful, complicated bonds of blood. All of her work is set in the Midwest and the Ozarks, where she was raised. Plus, she’s won–and has been nominated–for numerous awards, including International Thriller Writers Award and the Silver Falchion Award for Best First Novel and the Missouri Author Award for Fiction, among others. Laura McHugh’s rural thrillers are always a summertime treat. They are so evocative and atmospheric, drawing such breadth and emotion from the landscape; you can nearly feel the thick humidity and hear the chirp of the cicadas. There’s a murkiness here, too, a gauzy underworld of darker things brewing. ⭑ One of 2021’s Best Beach Reads—OPRAH DAILY ⭑ An Amazon Editors’ …

Laura Lippman chats about her hallucinatory new novel, DREAM GIRL, about fear & isolation, how books formed her, backstory and creativity

By Leslie Lindsay Such a masterful, slow burn of a literary thriller. Highly unique, deliciously dark and complex. WRITERS INTERVIEWING WRITERS ALWAYS WITH A BOOK Laura Lippman & Leslie Lindsay A distinctive voice in crime fiction, Laura Lippman has been named one of the “essential” crime writers of the last 100 years. She’s a New York Times bestseller and has won more than 20 prizes for her work and been shortlisted for 30 more. ABOUT DREAM GIRL: Gerry Anderson is a big-time author, his book, DREAM GIRL catapulted him onto the bestseller lists and he hasn’t come down since…his sense of self is up there, too. But now, he’s been injured in a freak accident, laid up in his Baltimore penthouse, which, in essence, is pretty ironic and hilarious. Gerry doesn’t exactly want to be in Baltimore, he says he’s happiest in NYC, where he had been living. He has relocated to care for his ailing mother, who had issues with delusional dementia. Here is where this synopsis and review gets a bit tricky: are we …

Mckenzie Cassidy talks about his debut coming-of-age, Here Lies a Father, a fabulous 1970s playlist featuring songs about dads, the hero’s journey, upstate NY as a character, the catharsis of writing about family secrets, more

By Leslie Lindsay A coming-of-age tale featuring a young man dealing with the death of his father, the secrets he attempted to hide, truth, reconstruction, and more WRITERS INTERVIEWING WRITERS ALWAYS WITH A BOOK Leslie Lindsay & Mckenzie Cassidy in Conversation Writer, professor, Floridian, and Dad, Mckenzie Cassidy delves into dark secrets and a sorted past to discover who–and what–shapes us in his debut coming-of-age, loosely based on a true story. About HERE LIES A FATHER: This an astute and poignant debut from McKenzie Cassidy (Akashic Books, Jan 2021), about fathers and sons, uncles and nephews, and the universal odyssey of family secrets, lies, and revelations. Ian Daly is fifteen when his wayward father dies; they are a bit estranged, he and his mother having recently returned to New York state after a stint in Florida. The parents are separated and leaning toward divorce. Ian has an older sister, Catherine, who is at college. HERE LIES A FATHER opens at the man’s funeral and backtracks through the somber, dysfunctional realms of his life, peeling back layers while juxtaposing …

Helen Cooper talks about fragmented conversations, hidden histories in families, peering in windows, &other dark truths in her debut, THE DOWNSTAIRS NEIGHBOR–plus miniatures and driving!

By Leslie Lindsay How well do you really know your neighbors? How well do you know yourself? These are the overarching questions explored in this fiction debut by Helen Cooper. WRITERS INTERVIEWING WRITERS ALWAYS WITH A BOOK Helen Cooper & Leslie Lindsay in conversation From the U.K., Helen Cooper’s background in teaching with an emphasis on Academic Writing. Her creative writing has been published in Mslexia and Writers’ Forum; she was shortlisted in the Bath Short Story Prize in 2014, and came third in the Leicester Writes Short Story Prize 2018. The Downstairs Neighbor is her first novel. ABOUT THE DOWNSTAIRS NEIGHBOR: THE DOWNSTAIRS NEIGHBOR (Putnam, Feb 16th 2021) is a delicious blend of family drama meets domestic suspense as an entire three-flat Georgian home is a-rumble about the whereabouts of a missing seventeen-year-old girl. Cooper’s writing is tremendous and strong, while she presents a cast of characters: a mousy woman living alone (or presumably so) with a pet hamster, the ‘perfect’ Harlows, Steph and Paul (and their missing daughter, Freya), the driving instructor and his wife. It’s one house. …

Elizabeth Brundage discusses her fabulously dark and mysterious new novel, THE VANISHING POINT, how she enjoys investigating conflict from several angles, stylistic choices, existential questions & more

By Leslie Lindsay A spare, unflinching, gorgeously rendered tale of intersections and cross-sections of our lives, the memories, jealousies, secrets, and more. I am swooning over THE VANISHING POINT (Little, Brown May 18 2021) by Elizabeth Brundage. It’s eerie, evocative, entangling and pulls at a knotted thread of mystery. Here it has all of the hallmarks for gorgeous prose: it’s emotionally resonant leaving the reader with residual feelings and thoughts while at the same time generating forward momentum, it’s stunning. Julian Ladd and Rye Adler are photography students–and roommates, briefly—during a time while attending an exclusive workshop, mentored by Brodsky, a photography great. It’s mostly men, but there’s a woman, too, Magda, a Polish immigrant who has spent most of her life in the U.S. Both men are fascinated and captivated by her, but no one can seem to ‘have’ her. Julian and Rye’s lives diverge; they take different paths. Julian becomes ensconced in the pharmaceutical industry and Rye pursues photography. In fact, he’s at the top of his game, snapping photographs of celebrities and the like. But now someone’s …