All posts tagged: THE NEED

GHOST WEEK: Doireann Ní Ghríofa’s A GHOST IN THE THROAT is a tremendously dark and varied and authentically raw exploration of contemporary motherhood married with archaic morals, plus a writing prompt, more

By Leslie Lindsay ~WRITERS INTERVIEWING WRITERS~ GHOST WEEK ALWAYS WITH A BOOK|FICTION FRIDAY Featured Spotlight: A GHOST IN THE THROAT by Doireann Ní Ghríofa Doireann Ní Ghríofa is a poet and essayist. In addition to A Ghost in the Throaf, she is the author of six critically acclaimed books of poetry, each a deepening exploration of birth, death, desire, and domesticity. Awards for her writing include a Lannan Literary Fellowship, the Ostana Prize, a Seamus Heaney Fellowshop, ad the Rooney Prize for Irish Literature. ABOUT A GHOST IN THE THROAT: “When we first met, I was a child, and she had been dead for centuries.” So writes Doireann Ní Ghríofa in A GHOST IN THE THROAT, a “…female text, a chat, a keen, a lament, and an echo,” and I love everything about it. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlin Dubh Ni Chonaill’s poem travels through the centuries, finding its way to a new mother who narrowly avoided her own …

Helen Phillips on THE NEED: how she couldn’t have written this speculative fiction if she wasn’t a mother, reconciling love and loss, a fabulous reading list, and so much more

By Leslie Lindsay  Eerie, speculative fiction with a slight thriller aspect, THE NEED is existential, mind-bending, and gloriously rendered.  I have a very teetering TBR bookshelf at home and on it are several Helen Phillips novels. Her stories are wild and brilliant and a bit eccentric. That’s what I like about her work. It’s not the mundane. It’s like a fever dream, those little bits of oddities that keep us awake at night, but we don’t do anything more with because, well…we don’t know how. Or we think they’re ‘too minute’ to flesh out into a whole story. THE NEED (Simon & Schuster, July 2019) is clever and strange and distorted, but I loved it. You may read the first lines of the synopsis and see that Molly is a mother of young children and there’s an intruder in the house and automatically think this is domestic thriller. It’s not. THE NEED is a literary exploration of what it means to be a mother, but also a study in identity, empathy, fear, the joys and insecurities and also the miseries of motherhood. It’s gorgeously, lushly …