All posts tagged: THE UPSTAIRS HOUSE

GHOST WEEK: Doireann Ní Ghríofa’s A GHOST IN THE THROAT is a tremendously dark and varied and authentically raw exploration of contemporary motherhood married with archaic morals, plus a writing prompt, more

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By Leslie Lindsay ~WRITERS INTERVIEWING WRITERS~ GHOST WEEK ALWAYS WITH A BOOK|FICTION FRIDAY Featured Spotlight: A GHOST IN THE THROAT by Doireann Ní Ghríofa Doireann Ní Ghríofa is a poet and essayist. In addition to A Ghost in the Throaf, she is the author of six critically acclaimed books of poetry, each a deepening exploration of birth, death, desire, and domesticity. Awards for her writing include a Lannan Literary Fellowship, the Ostana Prize, a Seamus Heaney Fellowshop, ad the Rooney Prize for Irish Literature. ABOUT A GHOST IN THE THROAT: “When we first met, I was a child, and she had been dead for centuries.” So writes Doireann Ní Ghríofa in A GHOST IN THE THROAT, a “…female text, a chat, a keen, a lament, and an echo,” and I love everything about it. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlin Dubh Ni Chonaill’s poem travels through the centuries, finding its way to a new mother who narrowly avoided her own …

WHAT IF THE GHOST OF MARGARET WISE BROWN visited you? THE UPSTAIRS HOUSE by julia fine delves into the delicate postpartum period, children’s literature, and so much more

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By Leslie Lindsay  A terribly haunting and visceral take on the delicate postpartum period, featuring the ghost of children’s author Margaret Wise Brown. ~WRITERS INTERVIEWING WRITERS|ALWAYS WITH A BOOK~ When I first learned of THE UPSTAIRS HOUSE (Harper, February 2021) by Julia Fine, I knew I had to get my hands on it. Not only does it feature ‘house’ in the title and cover, but it’s surrealistic, feministic, and provocative, melding present-day with the past, a genre-bending exploration of children’s literature, folktale, literature, horror, and more. Truly, THE UPSTAIRS HOUSE is a read unlike any other. Megan Weiler is home from the hospital after giving birth to a beautiful baby girl, her first child. Her husband, Ben is around, but not near enough, he must travel for work (in this sense, THE UPSTAIRS HOUSE reminds me a bit of Helen Phillips’s THE NEED), leaving Megan alone with infant Clara. Megan is physically exhausted and mentally drained plus, she’s still stewing on that unfinished dissertation, the one about midcentury children’s literature, specifically the life and contribution of Margaret …