Elizabeth Brundage discusses her fabulously dark and mysterious new novel, THE VANISHING POINT, how she enjoys investigating conflict from several angles, stylistic choices, existential questions & more
By Leslie Lindsay A spare, unflinching, gorgeously rendered tale of intersections and cross-sections of our lives, the memories, jealousies, secrets, and more. I am swooning over THE VANISHING POINT (Little, Brown May 18 2021) by Elizabeth Brundage. It’s eerie, evocative, entangling and pulls at a knotted thread of mystery. Here it has all of the hallmarks for gorgeous prose: it’s emotionally resonant leaving the reader with residual feelings and thoughts while at the same time generating forward momentum, it’s stunning. Julian Ladd and Rye Adler are photography students–and roommates, briefly—during a time while attending an exclusive workshop, mentored by Brodsky, a photography great. It’s mostly men, but there’s a woman, too, Magda, a Polish immigrant who has spent most of her life in the U.S. Both men are fascinated and captivated by her, but no one can seem to ‘have’ her. Julian and Rye’s lives diverge; they take different paths. Julian becomes ensconced in the pharmaceutical industry and Rye pursues photography. In fact, he’s at the top of his game, snapping photographs of celebrities and the like. But now someone’s …