All posts tagged: women in literature

GHOST WEEK: Doireann Ní Ghríofa’s A GHOST IN THE THROAT is a tremendously dark and varied and authentically raw exploration of contemporary motherhood married with archaic morals, plus a writing prompt, more

By Leslie Lindsay ~WRITERS INTERVIEWING WRITERS~ GHOST WEEK ALWAYS WITH A BOOK|FICTION FRIDAY Featured Spotlight: A GHOST IN THE THROAT by Doireann Ní Ghríofa Doireann Ní Ghríofa is a poet and essayist. In addition to A Ghost in the Throaf, she is the author of six critically acclaimed books of poetry, each a deepening exploration of birth, death, desire, and domesticity. Awards for her writing include a Lannan Literary Fellowship, the Ostana Prize, a Seamus Heaney Fellowshop, ad the Rooney Prize for Irish Literature. ABOUT A GHOST IN THE THROAT: “When we first met, I was a child, and she had been dead for centuries.” So writes Doireann Ní Ghríofa in A GHOST IN THE THROAT, a “…female text, a chat, a keen, a lament, and an echo,” and I love everything about it. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlin Dubh Ni Chonaill’s poem travels through the centuries, finding its way to a new mother who narrowly avoided her own …

Julia Fine on her debut, WHAT SHOULD BE WILD, plus the magic of forests, allegorical tales, working with Audrey Niffenegger, creating atmosphere vs setting, & more

By Leslie Lindsay  Rare and enchanting (fairy) tale about magic, gruesomeness, women, and so much more, WHAT SHOULD BE WILD is dark, sublimely written, and spellbinding. Join me in conversation with the lovely Julia as she chats about how teaching inspires her, her amazing reading list and so much more. Trust me, you’ll be swept away. I quickly fell under the spell of Julia Fine’s debut, WHAT SHOULD BE WILD (Harper, May 2018). We’re talking a gorgeous setting filled with trees, mysterious elements, an old ancestral home, and magical realism. There is so much going on in WHAT SHOULD BE WILD–at heart, it’s a coming-of-age story, but it’s also an abduction tale, an allegory, and just darn good writing.  Maisie Cothay is a special 16-year old girl–not only because she was born of a dead mother, but because she comes from a long line of cursed women, going back to 591 AD. Maisie has never known the touch of human flesh–she was born with the power to kill or resurrect at her slightest touch–and therefore has been sequestered …

Wednesdays with Writers: Luminous debut author Sarah Domet talks about how she struggled with story structure, how her book, THE GUINEVERES is all about the universal themes of hope, suffering, storytelling, when to break the rules, and so much more

By Leslie Lindsay  Let me introduce you to this luminous debut, THE GUINEVERES, brimming with wisdom about four girls caught in the throes of a war, their own burgeoning sense of self, fought with religious strife. Gwen, Vere, Win, and Ginny, collectively referred to as “The Guineveres,” four girls all sharing the same given name, Guinevere. One by one, they are dropped off at the Sisters of Supreme Adoration Convent by their families in…?? (well, that’s part of the mystery). For one reason or another, the girls’ families made the tireless (and perhaps rash) decision to abandon their daughters, not as infants, as one may believe, but as late childhood closed/early teenage-hood. This audacious novel has already drawn comparisons to THE VIRGIN SUICIDES by Jeffrey Eugenides as it is a mesmerizing, character-driven narrative rift with deep wisdom and psychological insight. Domet brilliantly weaves the ordinary and miraculous to tell a timeless story of faith, longing, and female friendship. Join me in welcoming debut author Sarah Domet to the blog. Leslie Lindsay: Sarah, I am always, …