Wednesdays with Writers: Cathy Lamb on the ‘massive amount’ of historical research needed for NO PLACE I’D RATHER BE, centuries-old cookbooks, Asperger’s syndrome, Bipolar, ‘rockin’ hot cowboys,’ deadlines and more

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By Leslie Lindsay 

Food, family, and legacy combine in this emotional and complex tale of love and acceptance. 

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I love reading Cathy Lamb. She’s hilarious and draws her characters so accurately, so flawed, so quirky, you can’t help but fall in love with them. Somehow, she is able to weave so many varied topics into a beautiful tapestry that is touching, funny, and so well done you hardly remember you’re reading. 

Olivia Martindale is living in Portland when she realizes she needs to go home to Montana temporarily to protect her almost-adopted daughters from their biological mother. Oh, but Jace is there and that’s painful. Jace is Olivia’s (legally separated) husband and he’s a rockin’ hot cowboy. Her mother and grandmother are such lively characters, too–a blunt doctor and a natural medicine type nurse healing the small town of Kalulell, Montana. Her sister is a helicopter rescue pilot/paramedic raising a son with autism/Asperger’s whose husband died seven years ago. Oh and she’s hilarious. The women are thrilled Olivia is back and welcome her and the almost-adopted girls into the family cabin with open arms. 

Olivia finds an old, ancient cookbook in the attic one day and learns its filled with dozens of recipes from the female ancestors in her family. Olivia’s always loved to cook, and now she decides to make each dish. There’s more: an old locket, feather, pressed rose, charm, drawings, and photographs intertwined throughout the pages. 08cd682add7ccdf179604d5a0c9f7f75--flathead-lake-montana-bigfork-montanaStories pour from the pages. Olivia learns of her family in Europe, before they came to the U.S. Jewish pogroms, concentration camps, love and loss. 

And those sweet girls and their jailbird mother…

NO PLACE I’D RATHER BE is a tender mash-up of many wonderful genres: historical fiction, mystery, criminal insight, humor, women’s fiction. It will make you laugh and cry and relate to these characters in a way you never thought possible.

Please join me in welcoming Cathy to the…uh, ranch. 

Leslie Lindsay: Cathy! Welcome back. I didn’t think I could love a book as much as I loved THE LANGUAGE OF SISTERS (Kensington, 2016), but by-golly, you did it again. Like your last book, NO PLACE I’D RATHER BE also touches on family and food. But there’s so, so much more. What was haunting you when you set out to write this one?

Cathy Lamb: Cookbooks.

I was looking at my late mother’s cookbooks which are stacked on my kitchen counter. I am a terrible cook, but she was really good. Anyhow I started thinking about her mother, my Nana, and her mother, Laura, and her mother, Stella, and all the way back.

All of us come from somewhere. We all have ancestors.  I started thinking about those women, their lives, their challenges, what made them laugh and cry.

I decided to write a book that centered around a cookbook that began in Odessa in 1905 and was handed down through generations of women. The women not only wrote recipes, they drew pictures about their lives.  I told the story of each woman in the cookbook, switching back and forth between present time.

Olivia Martindale eventually learns why there is blood on some recipes, why some are splattered with tea and tears, and why there are two heart-shaped lockets, a charm in the shape of a sun, photographs and poems between the pages.

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To sum up No Place I’d Rather Be:A 105 year old cookbook. Six generations of women. Four countries. Four languages. One mystery.

L.L.: You make writing seem so fun, so effortless. But we know it’s not always easy-peasy.  What did you struggle with the most in NO PLACE I’D RATHER BE?

Cathy Lamb: There was a mammoth amount of historical research I had to do for NO PLACE I’D RATHER BE.

For example, Odessa, in the Russian Empire, in 1905. Who was living there? What languages were spoken? Where did the people come from? Why did they come? What was the port like? What businesses were there?

What did the architecture look like? What was it like politically and socially? How did the government function or did it? What issues did they have? How were the Jews treated? Why did the pogroms start? Why were there demonstrations and riots during that time?

How did they get their water? They couldn’t dig wells, the water would have been too salty so close to the Black Sea. How did the poor live? What food was available? What was the weather like? Etc. etc. etc.

I already knew a lot of WWII history as I’ve studied and read about it forever, but I did study the Kindertransport in depth, where Jewish children – with no parents – were put on trains and boats and sent around the world to safety, mostly to Great Britain.

For example, Dr. Ruth was a Kindertransport child. She was sent to Switzerland, her parents were killed in Auschwitz. She later became a sharpshooter in Israel before moving to America and becoming a sex therapist.

I also researched The Blitz in London, down to the tonnage of bombs dropped.

It was a LOT of research. With the book I’m writing now – no research at all!

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L.L.: This is a complex story. There are multiple plot points to consider: present-day stuff with Jace and Olivia, the jailbird deadbeat mother of the girls, Olivia’s own inner demons, the mother and the grandmother and cooking, and oh my!—the past. Do you map this all out ahead of time, do you allow it to ‘come to you as you write,’ or some other way of juggling all the plotlines?

Cathy Lamb: I know. There is a lot going on in NO PLACE I’D RATHER BE. I write about a page and a half synopsis. That’s probably not true. It’s more like a page. My editor and agent and I all work on it until we have the story. The story, however, changes as I write.

Sometimes I eliminate characters, sometimes I add them. Some characters become huge, their voices loud and confident, other characters become someone I didn’t envision. The plot lines twist and curve, the ending can change.

Some people write really tight outlines of their books, complete with sticky notes on what has to happen per chapter. I just can’t write like that. It feels too tight, too rigid to me. I need to feel that there’s a lot of freedom to let the story grow and move and groove as it needs to.

I tried to feed the historical part it on a regular basis so as not to lose that storyline.

L.L.: I really loved Kyle. He was amazing. I couldn’t help but think of Dr. Shaun Murphy in the new ABC show, THE GOOD DOCTOR. In fact, it’s how I envisioned Kyle the whole time I was reading. Can you tell us a bit more about Kyle’s character, please?

Cathy Lamb: What was important to me to show is that though someone with Asperger’s Syndrome may process things differently, and react differently than what we would expect, the heart is still there. With Kyle he wanted to do good. He download (51)wanted friends. He wanted to help.  His way was simply unique and he did not understand social cues or the changing social dynamic.

Kyle was a character who jumped out at me so clearly it was like he was in my family room.

L.L.: There were a few passages I just loved about ‘double polar,’ as Sarah/Devlin called bipolar disorder.  And also the woman in Montana, LizAnne who received a house call from Dr. Mary Beth Martindale, “She’s always been creative. I think vampires can be female, but they didn’t address it in medical school. By the way, she’s in one of her manic episodes.”

You talk about how the medicine ‘dulls her out,’ and how she is in a ‘fruit stage,’ [with her art], and so much that rang so true to the experience of having bipolar.

As a former psych R.N., I loved this because it’s not so hush-hush the way you present it. How did this piece work its way into the story? Did both of those characters, LizAnne and Sarah/Devlin indeed have bipolar disorder?

Cathy Lamb: LizAnne and Sarah/Devlin both had bipolar but Sarah/Devlin also had a personality disorder – in my mind, narcissism and anti-social – and was just a horrible person and mother.

LizAnne was creative and an artist and would be in a manic episode and create the most beautiful art that she sold around the country, and then she would crash.

For people who have bipolar or love someone who has it, it is a beast to deal with. Some improve on the medication, some hate it because it zones them out, which is what I was trying to show with LizAnne.

Mostly: Bipolar is an awful disease and people who have it deserve our compassion and understanding.

L.L.: Don’t even get me started on Jace.

Cathy Lamb: Okay, I won’t. But he was hotter than hot. Just sayin’. I’d marry that guy myself.

L.L.: Can you give us a few ‘Cathy Facts,’ maybe something you don’t share often? Something that’s obsessing you, something you’re looking forward to…

Cathy Lamb: I don’t have any obsessions. It would certainly make me more interesting if I said I did…sigh…

I’m looking forward to finishing this next book, THE MAN SHE MARRIED, as I’m in the midst of a deadline. Yikes.

For more information, to connect with Cathy Lamb via social media, or to purchase a copy of NO PLACE I’D RATHER BE, please see:

nABOUT THE AUTHOR:  Writer. Owner of a wild and free roaming imagination. Day dreamer. Wife to Innocent Husband. Mother to three only sometimes naughty teenagers. Author of eleven novels. Almost twelve.

You can connect with me, Leslie Lindsay, through this social media platforms:

LOVE IT? SHARE IT!

 

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[Cover and author image courtesy of C. Lamb and used with permission. Book wreath from L.Lindsay’s archives. Image of “The Good Doctor” retrieved from tvguide.com, image of mountain lodge from Pinterest, no source noted; old cookbooks from ] 

About leslie1218

Author of SPEAKING OF APRAXIA (Woodbine House, 2012) frantically working on a novel that should be ready for submission this fall. Mom of two spritely redheads & one chubby basset hound whose stories & images appear in my writing from time-to-time.

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