Emma Sloley talks about how it’s difficult for humans to escape their own nature, how Margaret Atwood influences, plus pastoral ideas and more in DISASTER’S CHILDREN
By Leslie Lindsay The deterioration of the natural world and a coming-of-age story set in the very near not-so-distant future. In her prescient debut, DISASTER’S CHILDREN (Little A; November 5, 2019), Emma Sloley seamlessly weaves together an apocalyptic novel with cultural commentary to producing a memorable narrative both searing and tender. Raised in a privileged community of ultra-wealthy survivalists on an idyllic, self-sustaining Oregon ranch, Marlo has always been insulated. The outside world, which the ranchers nickname “The Disaster,” is ravaged by environmental suffering and situated precariously on the brink of global catastrophe. There are stunning modern homes, clear skies and abundant flora. Everyone’s happy because they have a shared agreement to disengage from news and politics, abstaining from information and the internet, instead investing in the development of their own exclusive society. Can it outlast impending destruction in the world beyond? But Marlo has long been intrigued by the chaos and opportunity beyond the confines of her picturesque community, fueled by occasional trips to major cities and correspondence with her two childhood best friends, who have …