All posts tagged: space

Erika Swyler talks about her stunning, introspective novel about fathers and daughters, space, time, the oddity–but intelligence–of Florida, plus her favorite planet in A LIGHT FROM OTHER STARS

By Leslie Lindsay  Shivers of wonder, a coming-of-age tale of science-fiction, that is at once introspective and speculative, LIGHT FROM OTHER STARS will transform and mesmerize. From the bestselling author of THE BOOK OF SPECULATION (2015), I was intrigued to dive into Erika Swyler’s second book, LIGHT FROM OTHER STARS (May 7 2019). Delightfully imaginative, and not quite like anything I’ve read before, this is the story of Nedda Pappas, her love of science, space, her father, and so much more. Set in dual-time periods, 1986 and some not-so-distant future, LIGHT FROM OTHER STARS is a literary slant on science fiction. Nedda is 11 years old in 1986, when the Challenger erupts and her beloved astronaut hero, Judy Resick becomes carbon, atoms, dust…she can barely go on. What happened to those astronauts? Are they still ‘out there,’ have they become light and energy and warmth? Nedda loves her father, a laid-off NASA scientist fiercely. But her father is struggling with his own demons, a secret he and Nedda’s mother chose to keep from Nedda. Nedda has a best friend, …

Gorgeously stark, yet lush poetry collection about homes, architecture, design, & more by Middlebury College President Laurie Patton

By Leslie Lindsay  A deeply moving and stirring collection of poems about houses and homes inspired by Gaston Bachelard’s 1958 classic, THE POETICS OF SPACE. Houses, homes, dwellings…they all have a mystical experience for me. They may be composed of timber and hardware, plaster and bricks and glass, but they hold truths deeper and darker still. A house may live only once, but it encompasses many lives.  HOUSE CROSSING (Station Hill, May 2018) is a “simple poetry of houses,” as author Laurie Patton says. Ultimately, she was inspired by the “geometry of intimacy” in urbane, basic architecture–a corner, the end of a hallway, a window, the attic. While the 32 short poems in the collection are a study in brevity, they pack such a soft-focused punch, going deep and leaving the reader with a disquieting contemplation. Titles are simple, but oh how they had me swooning: eaves, cupola, well, demolition, grave.  I don’t mean to be glib when I say these poems are haunting. Patton’s work dwells in the white space, the what-might-have-been. One reads the words and imagines a scene, but …