By Leslie Lindsay
#1 New York Times Bestselling Author of THE HISTORIAN, Elizabeth Kostova takes us on a cultural wandering the troubled hills of Bulgaria seeking truth and peace in the mesmerizing THE SHADOW LAND.
Alexandra Boyd is a 26-year old American who is seeking for something: truth, peace, belonging. She finds a job teaching English in Sofia, Bulgaria, a country she knows little about, but was a ‘beautiful green country on a map her brother found fascinating.’ With Jack no longer living, Alexandra sets forth on her adventure, in part to finally put her brother to rest.
Immediately, I was drawn into Alexandra’s story as she arrives jet-lagged and forlorn at a rustic hostel in the heart of Sofia. An encounter with a Bulgarian family, an accidental switch of bags, and a taxi propels the story into present-day action. Alexandra is left holding the bag, quite literally, of another man’s ashes.
We continue along a jaunty journey meeting various Bulgarians, a monastery, and horrors of a century of civil unrest.
Alexandra will have to uncover the secrets of the talented musician who is was shattered by political oppression, his dreams crushed—yet, she will find that in doing so, she is ultimately in danger.
Please join me in conversation with Elizabeth Kostova, a gifted storyteller, whose characters are constantly evolving, looking to connect past with the present, in the hope that perhaps meaning can be found in the rubble.
Leslie Lindsay: Elizabeth, it is a pleasure and honor to host you today. Thank you, thank you for being here. You visited Bulgaria in 1989 just a week after the fall of the Berlin Wall. Subsequently, Bulgarian communist dictatorship crumbled then, too. You were taken with this ancient place, so much that you fell in love…in more ways than one. Am I right in saying this experience shaped your narrative for THE SHADOW LAND? Can you shed a little more light on your inspiration behind the book?
Elizabeth Kostova: I first went to Bulgaria in 1989, when I was twenty-four, to do fieldwork on traditional singing in villages there, with two American friends. It was an incredible experience, especially as the Berlin Wall fell a week before we arrived, bringing down with it the 45-year Bulgarian communist dictatorship. The country was in turbulence, but also much more open to foreigners, especially in the villages, than it would have been just weeks earlier. We were able not only to travel to beautiful and remote places but even sometime to stay in people’s homes while we interviewed them about how they’d learned the old songs of their regions. It was amazing. While I was there, I met my future husband, and we’ve returned to the country together many times over 28 years.
L.L.: I’ll be honest, I know very little about Bulgaria. But I do know [from reading your author’s note in THE SHADOW LAND] that this land is one of the first settled by Homo sapiens. Can you tell us more? I find that really fascinating.
Elizabeth Kostova: Well, those early settlements are among the first settled by our species just in Europe—you can see the remains of those very early humans in several parts of the country, including some cave digs. In fact, Bulgaria is a hotbed for archaeologists, because it contains remnants of so many different cultures from over millennia—not only Neolithic, but also ancient Greek, Thracian, Roman, Byzantine, and medieval Bulgarian, to name some of the major ones. Bulgaria has always been a crossroads, culturally and geographically.
L.L.: Alexandra Boyd, the 26-year old American protagonist in the story has a secret [revealed fairly early in the story]. Was her character based on anyone in particular? Is there some symbolism between her story and the one of Stoyan Lazarov? I found that they mimicked one another in several ways. Was that intentional?
Elizabeth Kostova: Alexandra isn’t based on anyone in my own life, but I did try to imbue her with the sense of newness, strangeness, and excitement I felt when I first went to Bulgaria at about her age! (Fortunately, I never got into as much trouble as she does in the story.) And I have a very vivid picture of her in my mind. I did indeed want her 21st-century story and the story of my older character, from the 1940s and on–Stoyan Lazarov–to be parallel. She is a stranger in a strange land, and he becomes a stranger in his own land.
“The Shadow Land is thrilling, and not just as a gripping tale. It’s also thrilling to watch such a talented writer cast her spell. The central character actually begins this deft novel in an urn, only to emerge as one of the most memorable characters I’ve encountered in a long time.”
— Richard Russo, author of Everybody’s Fool
L.L.: And Stoyan Lazarov, the man whose ashes Alexandra is frantically trying to reunite with his family, his past is quite storied. In fact, nearly half the book is fraught with his time in Zelenets, a Bulgarian work camp. I’m so saddened to hear of this piece of history, which in many ways closely resembles the Holocaust. Can you talk about that?
Elizabeth Kostova: Bulgaria, like most of the Soviet East Bloc, was riddled with different kinds of persecution of citizens, including the use of forced-labor camps that the regime filled with “enemies of the people.” This was a way to frighten the population and push people to carry out surveillance against each other, and is one of the darkest moments in Bulgarian history. Zelenets, the camp in my book, is a fictional setting, but closely based on details of some of the real camps in Bulgaria. I was inspired to include it by my unexpected experience of visiting the ruins of a real camp—dilapidated and closed to the public—while I was doing research in Bulgaria for THE SHADOW LAND. It was one of the emptiest, eeriest places I’ve ever seen, and it made me feel a responsibility to write about it. Stoyan’s story also includes some joyful things, like a great love—and his love of his violin.
L.L.: And music! How I loved Stoyan’s use of distraction while he was a ‘walking skeleton’ at that horrific camp. How did Vivaldi and the violin come to the forefront of THE SHADOW LANDS? Do you play yourself?
Elizabeth Kostova: I don’t play an instrument myself but am lucky enough to have three professional classical instrumentalists in my family! I interviewed them extensively. I love music myself, and the Bach and Vivaldi Stoyan plays in the novel are close to my heart.
L.L.: There is so much going on in THE SHADOW LANDS, from the exquisite foreign setting, to the deep grief of a lost life, the work camp, historical and cultural significance, Alexandra’s journey…what do you hope others glean?
Elizabeth Kostova: My hope is that readers will feel that, like Alexandra, they get to visit and travel all over Bulgaria, a place we don’t usually put on our bucket lists! Since the book came out, I’ve been hearing from a lot of American readers who are now planning to do just that, which thrills me.
L.L.: What’s got your attention these days? What inspires you?
Elizabeth Kostova: I missed my characters so much as I finished editing THE SHADOW LAND that I started a new novel in October—I’m excited about it, but still developing the story. It’s definitely going to involve more research travel.
L.L: I’m eager to know a little more about your Foundation for Creative Writing. What can you tell us?
Elizabeth Kostova: When I first went to Bulgaria on book tour, with THE HISTORIAN (one third of that book is set in Bulgaria in the 1950s), I observed that a lot of Bulgarian writers and translators were working very hard but had very few formal opportunities to apply for—there just weren’t many prizes, programs, conferences, and so on. And it had become hard for them to publish their own work in Bulgaria after the fall of the Wall, because a flood of books translated from English came into the country. I wanted to be part of a solution rather than part of this problem! In 2007, with a Bulgarian publisher, I co-founded the Elizabeth Kostova Foundation, which offers some of those opportunities on a competitive basis and also bring writers from the English-writing world to Bulgaria to meet with Bulgarian writers. It’s been very fulfilling, and a lot of fun, as well.
L.L.: Is there anything I should have asked, but may have forgotten?
Elizabeth Kostova: You haven’t asked if I write with a pen or a laptop! I’m grateful.
L.L.: Elizabeth, it’s been the utmost pleasure. Best wishes on THE SHADOW LANDS.
Elizabeth Kostova: Thank you so much—it’s been a real pleasure to think about your questions. I appreciate everything you do for books and writing.
For more information on THE SHADOW LAND, to connect with Elizabeth Kostova via social media, or to purchase a copy, please visit these links:
ABOUT THE AUTHOR: Elizabeth Kostova was born in Connecticut in 1964. She is the author of three novels, The Historian (Little, Brown, 2005), The Swan Thieves (Little, Brown, 2010), and The Shadow Land (Random House, 2017). The Historian was the first debut novel in U.S. publishing history to debut at #1 on the New York Times Bestseller List, has been translated into 40 languages, and won Quill and Independent Bookseller Awards. The Swan Thieves was also a New York Times Bestseller and has been translated into 28 languages. Her short fiction, poetry, and essays have appeared in such periodicals and anthologies as The Mississippi Review, Poets & Writers Magazine, The Best American Poetry, The Michigan Quarterly, and Another Chicago Magazine.
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[Cover and author image retrieved from E. Kotova’s website on 5.8.17. Author image credit: Lynne Harty. Image of Bulgarian workcamp retrieved from dw.com, image of Maslen nos Primosko/Black Sea Coast retrieved from Wikipedia, and images of ancient caves retrieved from ancient-origins.net, all on 5.8.17]
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